BLOG PRZENIESIONY POD NOWY ADRES
http://www.michal.brzezinski.net
opening on February 10th 2012
★★ We all live in the TINA (There Is No Alternative) political time. Lie that was often repeated by Margaret Thatcher in the 80-ties about the neo liberalism is now transformed into a brutal EU faction. In TINA political time there is actually no time for understanding the process, it is automated and implemented largely outside society hidden in endless paragraphs. The only remnant that remains when TINA is divided with civil rights is actually the freedom of citizens whether to decide, to vote; to go out well-dressed on a referendum / festival of democracy and to elect. Since we all are in TINA political time, the question whether the Croatian citizens will also give legitimacy to the EU, is superfluous, because the answer already exists in an automated process of the infinite paragraphs.
★★Exhibition Re: REFERENDUM questions how TIA (There Is Alternative) works, what are its mechanisms, mental triggers, asks how is it possible. Exhibition Re: REFERENDUM is a ride on the line TINA-TIA in which we question the fragile border crossing, the overcoming of automaticity, of subversion as a message between the lines as well as subversion as direct action, reaction, and act. ★
Boris & Natasha Kadin, curators
ARTISTS:
Cristina Amiran and Khalil Charif (Brasil): Souvenir, 4:59, video art
Selma Banich (Croatia): Woman (32) interprets the Treaty of Lisbon, durational performance
Gildo Bavchevicz (Croatia): Coins, mixed media art
Sarah Boothroyd (Canada): Power and Freedom, sound art
Igor Bošnjak (BiH): Anatomy Lesson, 4:22, animation
Michal Brzezinski (Poland): Dust, 13:30, post video art
Marijan Crtalić (Croatia): Euro integrations, art action
EUpatrids (Croatia): EU pionir_return, musical performance
Petar Grimani (Croatia): Der Fernseher, installation
Raul Gschrey (Germany): Oskar, 4:19, video art
Francis Hunger (Germany): History Exhaustion, 3 channel video installation
Natasha Kadin (Croatia): Miss EU, video / installation
Božidar Katić (Croatia): Cry!, installation
Alem Korkut (Croatia): 2012., installation
Marko Marković (Croatia): Every Marko Marković works it wrong, and our Marko Marković works it bad and wrong, art action / mixed media art
Dalibor Martinis (Croatia): IF YES, installation
Tara Najd Ahmadi (Iran / USA): Measuring the Level of Resistance, 4:18, hand painted 16 mm film
Jason Nelson (USA): With Love from a Failed Planet, net art / interactive prose poetry
Tanja Ostojić (Serbia / Germany): Untitled / After Courbet (L´origine du monde)
Kasia Pogowska (Poland): On the other side of the mirror, digitally printed colour photos
Goran Ristić (BiH): Untitled, video art
Benjamin Rosenthal (USA): Administrative Maximum: Towards the End of Broadcast, net art
Sandra Sterle (Croatia): Integration: who wants to play?, 3 channel video installation
Jürgen Trautwein aka jtwine (Germany): nois_pix_bombs, net art
On our way to Croatia we took an overnight train, it was an interesting experience, triple stacked bunks in a TINY room.
Posted by Samantha Fleming | November 15, 2012, 7:11 am